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Feminist Film Review: Bajirao Mastani

Posted by Tahmidul Bhuiyan in Gender Studies - Menasion - d1 on Monday, January 11, 2016 at 9:01 pm

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Bajirao Mastani was a creation of real life incident that took place years ago back in India. In this movie, the girl "Mastani" meets a warrior "Bajirao" at a war ground. After having some fondness for Bajirao, Mastani decided to break the rule and be with Bajirao at any cost. Mastani knew that Bajirao had a wife but that didn't bother her at all. On top of that, Mastani was a Muslim and Bajirao was Hindu. In the eye of religion, a Muslim could not marry a Hindu. If they did, families would separate from them and great consequences would occur. Forcing everything away that could possibly stop her, Mastani decided to do go Bajirao's palace as a form of a dancer and "earn" Bajirao. By doing this, Mastani was created her own story arc rather than depending on a man and not letting the man control her. 

Here is the trailer of the movie. Enjoy...!
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1) Write a review of a movie that meets the Bechdel and/or Mako Mori tests.  Cite evidence for why it meets the criteria for these tests.

= Bajirao clearly meets the Mako Mori test. The reason why Bajirao Mastani meets the Mako Mori tests are as follows: 

* Bajirao Mastani does have more than one female character. 

* The character, "Mastani" does have her own narrative arc. The narrative arc that the character have clearly doesn't support a man's story. Mastani decided everything herself and did do everything herself without anyone's help. Even though there is love involved in this movie, it isn't controlled by the man but the women instead. Mastani decided how everything is going to play around in her world by creating her own destiny and breaking the culture norm that she grew up in. 


 

My anti-gender bias film test would be:

* There is at least one male and one female that is present in the movie. 

* The male and female both need to talk to each other in a respective manner and not show superiority over one another. 

* The male and female both should have their own narrative arc of the story. One of the narrative can't not superior the other one. 

* Both the male and female must support each others narrative arc somehow. 

* Both the male and female much have equal screen time and respected story line. 

Review of Bajirao Mastani according to my test. 

I would say this movie does meet about 60% requirement of my test. There is two character, one male and one female. Both do have their narrative arc but the arc doesn't equalize. The women get's more superiority over the male which isn't one of the requirement. Both of the gender do support each others arc but I feel like the guy supports a lot more to the women sides arc rather then both side supporting each other equally. Overall, I wish I could've given it a 100% requirement but I will wait for the movie that does meet my requirement . 

Here is brief detail about the movie...

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Star Wars: The Force Awakens Film Review

Posted by Benjamin Fink in Gender Studies - Menasion - d1 on Monday, January 11, 2016 at 1:16 pm

1. Star Wars: The Force Awakens is an action-packed science fiction movie that perfectly fits the criteria for the Bechdel test. This is evidenced by the fact that the main protagonist is, herself, a young woman named Rey who is as skilled with a lightsaber as she is with a blaster. She has a relationship with one of the male characters, but any evidence of romance is not explored, as their relationship seems platonic for now. She also talks to two female characters about something besides their feelings for male characters. The main protagonist talks to a three-thousand-year-old alien woman named Maz Kanata about the nature of the Force after touching a lightsaber and having a vision of the future, or the past. She is also a brave, strong, and independent woman whose intelligence and precociousness is one of her defining features. She also demonstrates a dislike of being dragged by the hand by another man as though she couldn't handle herself. Thus, this movie also meets my personal criteria for an anti-gender bias movie.

2. My film test uses the following criteria to see if it is non-biased.

  • There is more than one named female character in the movie.
  • At least one of the female characters is a strong, proud, brave, independent woman who isn't content with being a background prop.
  • At least one of the female characters is someone who is every intelligent and doesn't exemplify the "women are intellectually inferior to men" cliche.
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Feminist Film Review

Posted by Imani Weeks in Gender Studies - Menasion - d1 on Monday, January 11, 2016 at 11:17 am

This movie I am going to be focusing on is Chi-raq. The background of the movie is about females that are trying to take a certain activity away from the men to stop the violence going on in the neighborhood. 

Does this match the test :
I think that movie passes the test.
1. It have more than two female characters 
2. They converse with each other to make plans and take actions
3. They talk about violence, not necessarily the men. They just use them to stop the violence. 

If I was to create my own anti- gender bias film.  
I don't know what I would call it, but it would be about black girls becoming lawyers and how they have to work harder than others to get to where they need to be. It would be different females looking into their different life stories, some married and some single. Some with kids and some kid less. 

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Feminist Film Review: Disney's "Descendants"

Posted by Ameena Atif in Gender Studies - Menasion - d1 on Thursday, January 7, 2016 at 5:19 pm

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Ameena Atif

January 7, 2016

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  1. The film that I will be testing is Descendants. Descendants is a 2015 American film directed and choreographed by Kenny Ortega. The film stars Dove Cameron, Cameron Boyce, Booboo Stewart and Sofia Carson as the sons and daughters of Disney villains Maleficent, The Evil Queen, Jafar and Cruella De Vil. The plot follows these teenagers adjusting to life outside the Isle of the Lost (an island specifically for the villains), while on a mission to steal the Fairy Godmother's wand and free their parents from captivity. Descendants meets the Bechdel test because of its characters and plot. The movie features multiple young women in major roles. It also stars two young women in lead roles. These two women often conversate with each other and it is not always about a man. In fact Maleficent’s daughter, Mal, encourages daughter of The Evil Queen, Evie, that she doesn’t need a prince to make her feel special.

  2. Bechdel Test

  • The movie has to have at least two women in it.

    • The film has two main characters that are women and other supporting characters. However there is a young man in this film that is getting ready to obtain a position of the power (Mitchell Hope as Prince Ben, son of Queen Belle and King Beast). This does display a patriarchy. The roles that the women play in this movie do not depend on the roles that the men play.


  • who talk to each other

    • The female characters in this film talk about the legend of the good and the evil, their current situations, and eventually how they can make everything better.

  • about something besides a man

    • The female characters in this film talk about different things than men. The main focus is the legend of the good vs. the evil, their current situations, and eventually how they can make everything better.


  1. My Film Test and Review

    1. The roles that women in this film perform should not be dependent on the roles that men perform.

      1. The film has two main characters that are women and other supporting characters. However there is a young man in this film that is getting ready to obtain a position of the power (Mitchell Hope as Prince Ben, son of Queen Belle and King Beast). This does display a patriarchy. The roles that the women play in this movie do not depend on the roles that the men play.

    2. The women in this film should not pictured to mimic the “bitchy woman” stereotype.

      1. Maleficent and The Evil Queen are portrayed negatively however that is credited more towards their role as a villain and not their role as a woman. Their children, Mal and Evie, are portrayed negatively in the beginning of the film because of their mission to steal the Fairy Godmother’s wand. However I must say that all of the villains’ children (boys and girls) are portrayed negatively because they all worked on the mission to steal the wand.

    3. There should be people of color in the film.

      1. There are people of color in this film.

Overall I think that Descendants is a good movie and perceives women well.

Here is a clip to the beginning of the film: https://www.youtube.com/watch?v=-GCBI4oNCis&list=PLH8dvqFKR5cSNKmU2KEQ2tnlbyAyQKZ3h
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Feminist Film Review: Legally Blonde 2

Posted by Brandi Jones in Gender Studies - Menasion - d1 on Thursday, January 7, 2016 at 9:38 am

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  1. Movie: Legally Blonde 2

  2. Background: This movie is about Elle Woods who goes to Washington to help pass a bill. She meets a friend that helps her out by the name of Victoria but she was playing behind her back; not supporting her bill as she said that she was. Elle finds a true friend in Grace who helped her to find the truth about Victoria.

  3. Meeting Bechdel or Mako Mori Test: This movie meets the requirements of both the tests however I would consider it to meet more standards of the Bechdel test. It meets the requirements of fiction, two women talking about things other than men and sometimes names are added. However the names are added as much as what could be considered. My rating for the movie under the Bechdel test is about a 3.5 out of 5.

  4. If I was to create my own anti-gender bias film test I would call it: WORM (Women Origin Roles’ Matter). The criteria to meet this test would consider

    1. At least two female characters; One of a considerable minority ethnicity

    2. Not beginning the movie because of a failed relationship (boyfriend/girlfriend, marriage resulting in divorce) or sparking the movie for finding love.

    3. Not supporting a man’s story

  5. Writing a review using my own anti-gender bias film test, in other words using the WORM test I would rate Legally blondes at a 4 out of 5. This is because the movie supports the requirements for having at more than 2 female characters and one is a minority. Nevertheless at a high position job on Washington which isn’t portrayed very often in television or movies. So that stands out a lot. In addition, the main character was engaged but she left her husband to go to a different state for her own beliefs. She didn’t beg him to come nor have a hard time because she was following her own story not his.

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Feminist Film Review

Posted by Rifah Islam in Gender Studies - Menasion - d1 on Wednesday, January 6, 2016 at 7:41 pm

Review of Highway (2014 Hindi Film)

By: Rifah Islam

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“Highway” depicts a kidnapping of a secure and protected young girl named Veera. She is the daughter of a very rich and important man in the business industry who has political connections. In the beginning of the movie, she is getting married. There are festivities all around the house. Tired, bored and looking for adventure, the night before her wedding she calls her fiance and asks him to take her on a long drive on the highway. He is initially hesitant, but gives in after Veera persists. On their way home, they stop at a gas station. Veera gets out of the car to stretch but instead finds herself in the middle of gun shots. The gang involved captures her, knowing that she witnessed them robbing and take her away. Soon they realize whose daughter she is and they start to get nervous. One of her abductors Mahabir, however, is especially willing to do as much as he can to stay out of trouble. Mahabir, a friend and hostage Veera move from city to city to try to stay hidden. At first, Veera is met with physical abuse from the boys. She is extremely scared. Once she even manages to run away while they hide out, only having to run back because there’s nothing around miles and miles.

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While venturing with her kidnapper Mahabir, Veera realizes that she has found more freedom through this kidnapping then she has had her whole life. Her relationship with Mahabir starts to strengthen and there is no longer abuse in the relationship. She begins to trust him so much that tells him about being molested by her uncle. When she told her mother, her mother made her promise not to tell anyone and did nothing in order to help her. Soon Mahabir realizes that he has fallen in love with her and tries to send her back home, but Veera refuses. She loved this newfound freedom and him. The two decide to continue to travel, eventually finding a house in a mountain village and spending a night there. The next morning, the police have found Mahabir and Veera. They shoot him and he dies. Veera is completely shocked and heartbroken. She is brought back home but can no longer stand her family and their hurtful antics. Veera ends up telling her family the truth about her uncle. She tells them she no longer wishes to live with them and has other plans instead. Flash forward, Veera has a job in a factory and buys a house in the mountains to live in. In the final scene, she remembers Mahabir and how the journey they took together changed her forever.

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This movie does not meet the requirements of the Bechdel test. There are not two women with names who talk about something other than a man. In fact Veera is the only female character with a name in the movie who has lots of speaking time on screen. However, Highway does pass the Mako Mori test. Veera is a strong female character who gets her own narrative and doesn’t support a man’s story. The whole entire film is about her and her story. Her captor Mahabir is only a supporting character in her story. This film passes my version of an anti-gender bias test. The requirements of my test are

  1. A strong female character

  2. Who is given enough speaking and screen time to resolve their conflict

I think Highway passes my anti gender bias test. Veera is a power packed character who is able to resolve her conflict by the end of the film. Most of the scenes in the movie include her. In many ways, regardless if the movie passes the test or not, Veera is a feminist character. I think the final scene shows that especially, how she no longer cared about the consequences of telling her secret to the rest of her family and how she becomes an independent woman who lives off of her own work. It’s really inspiring and overall Highway was an amazing film.






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My Mother

Posted by Sianneh Vesslee in Gender Studies - Menasion - d1 on Thursday, December 3, 2015 at 10:48 pm

I remembered momma, I told you how I wanted hands

and a simile just like yours because  

Your hands are strong enough hold mountains.

You have carried oceanic trenches filled with sorrows

between your palms

yet they never once shook

Momma your simile creates the laugh lines that form the bridges

that brings our family together

Now I may never may never know

how many of your demons are still clinging to your

fingers, but I still see the angels

you now hold

I still see the beauty in your

Imperfections. You are still what it means to home.

If Your hands are still holding together then they have

held no small mountains, they still keep the monsters at

bay.

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Herstory: Strength

Posted by Shaina-Nicole Keenan in Gender Studies - Menasion - d1 on Thursday, December 3, 2015 at 10:21 pm

She is from a broken home in a broken time. 

She is from the row home in Port Richmond where much does not happen on the outside. 

She is from taunting, teasing and terrorizing. 

She is from love. 

She is from strength.

She is from  hard work, and totem poles of achievements that could never be hers. 

She is from a job that never pays as much as men below her own ranking. 

She is from broken times to shattered times. 

She is from prosperity. 

She is from not letting others get to her, and doing what she knows how to do. 

She is from working her hardest. 

She is from strength. 

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HerStory Poem

Posted by Jamilah Woodards in Gender Studies - Menasion - d1 on Thursday, December 3, 2015 at 10:16 pm

She is from hand me down coats, bobos and Red’s Hoagies.

She is from  the two story house on the corner of Carpenter Street

She is from teaching, managing, and training, and graduating from IUP and Temple with her own funds

She is from Crab feasts and loud laughter, from Val and Sam, the Lawrences.

She is from the selflessness and determination.

From providing for herself and doing EVERYTHING on her own.

She is from bible study  and early morning sunday school.

She is from Newark, New Jersey, but raised in South Philly, with a strong pepsi and butter popcorn in hand.

From the “good child” who always had to help her siblings out of trouble, the one who may have cared “too much”.

She is from being scared hiding in the closet, the nervous middle sister

She is the woman to be the first to graduate from college in the family

She is the woman I aspire to be at least half as great as

She’s my mommy!

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Herstory Poem: "Shell"

Posted by Gabrielle Cromley in Gender Studies - Menasion - d1 on Thursday, December 3, 2015 at 8:57 pm

​Her name is Michelle,

But call her Shell.


She is from the red brick row home

On the top of the hill

In Roxborough,

The town of generations.

Her sanctuary from harsh reality.


She is from the accounting department

Where she does her boss’ job

And he takes all of the credit.

But she perseveres to take care me

And show me how hard being a working woman can be.

She is from the amalgamation of unheard voices

Who are silent for the sake of themselves

And their families.

Who see the injustice

But do not have the means to fight it.


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