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Art Blog- Quarter 4

Posted by Sasha Sapp in Advanced Art - Hull on Thursday, May 31, 2012 at 9:49 pm

Here is the list of things I've done:
Abstract emotion
Abstract Motion
Abstract
Close up
Hands
Miscellaneous


Note: Just about every piece was done in: HB, 4B, 2B, 4H, 2H pencils; .07 MM draftline pencil; and charcoal. Only one thing was done in acrylic paint.

Abstract Emotion:
Title: Trapped

This was my very fist attempt at abstract- this illustration. I used all of the material stated above (minus acrylic). As an artist, my preference is traditional forms of art, so I usually stick pencils- because I love them. Anyway, this was very hard to do, because I honestly did not know where I was going with it. I started using the smooth surface of the charcoal to create a foundation- which turned out looking like a ground. From there I got an idea, I was going to try to to create sand (from a picture that I had). I glided a 2b across the page to create a curvy look. After several moments of this, I noticed that something was very wrong. I realized that I absolutely hated it and had not idea what to do with it next. So here's the interesting part- I just let go. I let my hands do the thinking and found that I started forming figures out of the curves that were supposed to be waves. Then I saw something. I saw faceless figures pop out of the pages in front of me, and I went from there. I began to define the figures. I shaped them and and used the charcoal to really darken then and contrast the background that I would eventually make a nuance of the darkness of the figures and the ambiante glow that surrounds them. I loved the idea of one distant figure that could be made of out of all of the others. So I made one center creature the one that is "Trapped". Many may interpret this as they please, but one thing to know is that I tried to induce a sense of fear. So if you want to know one thing for sure, fear is the motion portrayed in the shape of their bodies and through the center.

Abstract Motion: 
Title: Fly

I can confidently say that this is my least favorite of all of my drawings because I just couldn't the motion like I wanted. This one was all charcoal. I started with my foundation: a body. I then proceed to use different strokes of the charcoal to create the "wisping" and "flying" look of the person. The hardest pat was using lines and strokes to show the speed of the movement. In my opinion, degrees and indications of speed need to be shown to show that the object is moving at all. I used darker strokes closer to the figure and and they further they strayed away the the lighter and softer they became. This was to give it a look that it was dwindling away as well as moving. I can say that this mood is quite tranquil compared to trapped. I just want the viewer to feel like a feather when looking at the drawing. That was my objective.

Abstract: 
Title: Bang 

Once more, a piece that I'm not the happiest with, but I'm glad that I resisted the temptation to use a human foundation again. This time I used a foundation of a circle- which I proceeded to shade. This was another piece that I didn't have a specific direction with so I just followed my hands. It had hit me that it felt as if the circle in the center had been similar to a planet, so I went with that mind set and and shaded all around it. Here the charcoal didn't really help me, os I used my heaviest pencils- HB and 4B, and smudged it around to really darken it. I then used my eraser to erase certain points. I wanted to give it light and give it an explosive effect- hence the title "Bang". I really do like that I was able to make it look as if it were exploding, and the mood from this in almost anticipation- it's like you waiting for something to end. 

Close Up: 
Title: Finger 

I have thoroughly enjoyed doing this close up. In particular, this was in conjunction to my individual assignment of hands. Since I am left-handed, I examined my right index finger, and draw it just as I saw it. Using all of the pencils that I stated at the top, I started by tracign with my eyes the shape of my finger, and I then I added dimension by playing with the lighting along the side.



trapped
trapped
fly
fly
bang
bang
finger close up
finger close up
hand I
hand I
hand II
hand II
hand III
hand III
hands IV
hands IV
dad
dad
abtract arcylic
abtract arcylic
melt
melt
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Abstract Motion

Posted by Ellen To in Advanced Art - Hull on Thursday, May 31, 2012 at 1:58 pm

When I work with pastels, I am reminded that I can smear and add a lot of effects to the drawing. My favorite materials and tools was both my fingers and my pastel. I begin a piece by having a back drop. Then I added my ideas onto the sheet using a sharpie. Then I add different colors to illustrate the motions. 

The best thing I did was the cluttered motion below. It showed the different shapes wanting to get out. I know when a piece comes out right when some one asks me: Is that supposed to be abstract?" and question it. But to me, as long as it falls under the moving category, it works! My favorite colors were the light faded colors and as you can see, I used them to my advantage.

I know a piece is done when I can step back and look at all of the work I did. I also can look at my work and have a sigh of relief because I see what I am capable of. When my work is going well, I am filled with a sense of relief. When people see my work, I'd like them to see my hard work and give me their comments.
photo 2 (2)
photo 2 (2)
photo 3 (3)
photo 3 (3)
photo 4 (1)
photo 4 (1)
photo 5 (1)
photo 5 (1)
photo 1 (3)
photo 1 (3)
photo 2 (3)
photo 2 (3)
photo 3 (4)
photo 3 (4)
photo 4 (2)
photo 4 (2)
photo 5 (2)
photo 5 (2)
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Painting A Ceiling Tile

Posted by Ellen To in Advanced Art - Hull on Thursday, May 31, 2012 at 1:58 pm

​
When choosing what to paint, I was so confused. I wanted to paint an elephant but I didn't want to show political status. Then I wanted to paint the sky but that was taken. I wanted to a panda but that would be hard. So I looked around the room and saw a character. Then I took my sharpie and started to free hand a face and messed up a lot. But I figured that I would be painting over it a few times so I didn't worry about it a lot. The next question was "which ceiling tile?"
I first got my paint together and started to paint the background and the face. It was a little hard because it required a lot of paint and I had to fill in all of the holes in the ceiling tile. The whole process was pretty easy but too a lot of time and a lot of different size paint brushes.
I know a piece is done when I can step back and look at all of the work I did. I also can look at my work and have a sigh of relief because I see what I am capable of. When my work is going well, I am filled with a sense of relief. When people see my work, I'd like them to see my hard work and give me their comments. I also want them to see my drawing and remember who did it and show people what a student can do.

400x400
400x400
photo 3 (6)
photo 3 (6)
photo 2 (5)
photo 2 (5)
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Wire Drawings

Posted by Ellen To in Advanced Art - Hull on Thursday, May 31, 2012 at 1:57 pm

​  For this project, I chose to switch my "Observation Landscape" drawing to"Drawing with Wires". I saw this project in a family magazine and automatically knew that I wanted to do this. I just needed the materials. One of them are pliers, wire, and scissors. I chose this project because it is something that no one has done before in my class and I wanted to see how I would react to it. Surprisingly, it looks easy when you start but then the wire starts to bend and mess up. If I could do this again, I would get a plastic coated wire so the bents and twists (that were mess ups) wouldn't show as much. 

I first got my materials. Then I drew a stencil on a piece of paper with out picking up the pencil point because I was planning to use just one long strand of wire. Then I started both of my wire drawings at the feet to reconnect them in the end. I used the pliers to finalize all of the twists and turns I had to make. My favorite tool was the pliers. Personally, I like the elephant over the panda. This is because the people I showed it too said my panda looked like a rhino.

I know a piece is done when I can step back and look at all of the work I did. I also can look at my work and have a sigh of relief because I see what I am capable of. When my work is going well, I am filled with a sense of relief. When people see my work, I'd like them to see my hard work and give me their comments. I would also like them to see a panda and an elephant in my drawing.
photo 3 (5)
photo 3 (5)
photo 4 (3)
photo 4 (3)
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Observation Drawing - Close up drawing

Posted by Ellen To in Advanced Art - Hull on Thursday, May 31, 2012 at 1:57 pm

​ I chose to draw a box of Skittles because it had a lot of colors I liked. The colors were very faded and relaxed. My favorite tool was the ruler because I had to draw a lot of straight lines for the box. The best thing about my drawing is the colors that I used because they were very unique. I changed the little Skittles on the box; instead of saying "S", it has either a "S" or a "?".

When I work with close up drawings, I am reminded that I must be very detailed and use proportions correctly. I began a piece by drawing the box. I know a piece is done when I can look back and compare the box and my drawing and see the similarities. When my work is going well, I am filled with a sense of relief. When people see my work, I'd like them to what I was drawing and show them the changes I have made to my drawing compared to on the box.
photo 5 (3)
photo 5 (3)
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Abstract

Posted by Ellen To in Advanced Art - Hull on Thursday, May 31, 2012 at 1:57 pm

​​ In my previous posts, I made a number of drawings for bother abstract emotion and abstract motion. The next step was to either incorporate the drawings or just start from scratch. I didn't really want to do that because I wanted people to see how I can mix in my work together so I made a quilt! This was a messy project because all of my drawings were covered in pastels and they were getting pastel powder every where. Also, it was also hard to keep them from smearing.

The steps I took to complete my quilt weren't as simple as I thought they would be. I first gathered my materials which was yarn, scissors, hole puncher and my abstract drawings. I first hole punched my drawings and then connected them together with yarn. At the time, I had both landscape pictures and portrait pictures so it was hard to attached them together but I finally got it in the end.

I know a piece is done when I can step back and look at all of the work I did. I also can look at my work and have a sigh of relief because I see what I am capable of. When my work is going well, I am filled with a sense of relief. When people see my work, I'd like them to see my hard work and give me their comments.

photo
photo
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Abstract Emotion

Posted by Ellen To in Advanced Art - Hull on Thursday, May 31, 2012 at 1:57 pm

​​ When I work with pastels, I am reminded that I can smear and add a lot of effects to the drawing using my hands and a wet paper towel. My favorite materials and tools is both my fingers and my pastel. Then I added my ideas onto the sheet using a sharpie. Then I add different colors to illustrate the emotions. That was pretty hard because I didn't know what emotion was supposed to look like in abstract form so I just added a ton of different colors together. 

The best thing I did was the colored eyes below. It's okay if you can't really see it. There are a lot of crazy emotions below and I am proud of all of them. It showed the different shapes wanting to get out. I know when a piece comes out right when some one asks me: Is that supposed to be abstract?" and question it. But to me, as long as it falls under the moving category, it works! My favorite colors were the light faded colors and as you can see, I used them to my advantage.

I know a piece is done when I can step back and look at all of the work I did. I also can look at my work and have a sigh of relief because I see what I am capable of. When my work is going well, I am filled with a sense of relief. When people see my work, I'd like them to see my hard work and give me their comments.

photo 1 (2)
photo 1 (2)
photo 5
photo 5
photo 4
photo 4
photo 3 (2)
photo 3 (2)
photo 2 (1)
photo 2 (1)
photo 1 (1)
photo 1 (1)
photo 3 (1)
photo 3 (1)
photo 3
photo 3
photo 2
photo 2
photo 1
photo 1
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Advance Art Q4 Lancaster

Posted by Tamatha Lancaster in Advanced Art - Hull on Thursday, May 31, 2012 at 11:13 am

Week 1 Abstract Emotion

I didn’t know what abstract emotion was until the week that we were supposed to do it. I’ve heard of the word abstract before this but I’ve never really knew what it meant. So this week would be my week of learning something knew. I found out that this project wasn’t so bad that I thought it was going to be.

The only hard part that I had with this project was deciding what to do. I wasn’t sure what to do so I looked at some examples. I then decided to do a picture of a face with mixed emotions through and around it. I made the face faded so it wouldn’t look like one. The colors I choose to do were red, purple, yellow, black, and blue. Red represented anger, purple represented pain, I made yellow into a lighting bolt that went with anger, black represented death, and blue represented sad. After that I smudged the colors together so it would blend.

​
abstract emotion_Lancaster
abstract emotion_Lancaster
​Week 2 Abstract Motion

I wasn’t sure how to do abstract motion because I never did it before. I wasn’t sure how it would turn out but after doing them, I found out it wasn’t that hard. I decided to do multiple pictures so I can get better at it. I did a drawing that was blue and it looks like the colors are moving like water. Another one is with many colors looking like it’s moving fast. Then there’s one that has colors smudged in together. I was proud of my work because I got a lot of work done then I expected and they turned out nice. And if I was to do this again I would make them more creative then the ones I made before.

IMG_20120530_113133
IMG_20120530_113133
IMG_20120530_113144
IMG_20120530_113144
IMG_20120530_113648
IMG_20120530_113648
IMG_20120530_113727
IMG_20120530_113727
​Week 3 Abstract 

I didn’t make a big deal out of this week because it was just abstract and I have did artwork that had to do with abstract in the last two weeks. So this week projects would be easier than the others. Then I decided to do multiple drawings.

There was two big drawing that I did, one with spirals and the other with curve lines. With these I made them with charcoal and with different colors, then faded it out to make it more abstract. Another one was with different colors that went in different directions.

IMG_20120530_113110
IMG_20120530_113110
IMG_20120530_113207
IMG_20120530_113207
IMG_20120530_113214
IMG_20120530_113214
IMG_20120531_105233
IMG_20120531_105233
​Week 4 Close Up Drawings

    With this week I decided drawing four close up pictures. I decided to do this because it makes you get every little detail in an object and it makes a person make more detailed drawings. And with every detail of something, you can make your drawing look realistic.

            There was one drawing that I spent almost all of my time on this week and it was a close up drawing of my laptop. With this drawing I got every detail of the computer even the windows that was open on the screen. The rest of my time went to the three birds I drew, which are the blue jay, the sparrow, and the cardinal. I decided to draw these birds because I feel as thought they are cute and I like looking at them fly around and look for food.

            Throughout this week, the hardest drawing that I did was the computer because it was difficult trying to get the correct number of keys on the computer and trying the laptop to look the right way. The easiest drawing was the cardinal because it didn’t that much detail as all the other ones did.

IMG_20120523_110901
IMG_20120523_110901
IMG_20120523_111045
IMG_20120523_111045
IMG_20120523_111104
IMG_20120523_111104
sparrow
sparrow
​Week 5 Close Up Drawings Pt 2

    For this week I decided to do some more close-up drawings because I feel as though I can still do better with drawing objects up close. There are also some things that I drew that were landscape and one I did electronically.

            I drew three pictures close-up and they are a bird and a mask. The last picture I drew was of a cup of cider with a bottle of sparkling cider and cherries next to it. With this picture I drew a table and two chairs in the background so it wouldn’t look like the cup, bottle, and cherries were floating in mid air. With the bird, I decided to draw it from the previous week when I few a couple of birds before. When I was drawing it, I wanted to draw a bird that I’ve never seen before. I decided to draw the mask because I didn’t know what else to draw and also that’s my favorite mask. There was a picture that I drew with pyramids and I got this idea when I was looking at TV and someone was talking about Egypt. Then I thought it would be cool to draw somewhere in Egypt so I looked up some pyramids and decided to do pyramids. And lastly, I wanted to make a make something that looked like a poster so I took a couple of my aunt prom pictures and made a poster out of them but first I made all the pictures look black and white.

            At the beginning of this week I had artist block, which is when you can’t find and don’t know what to draw. But to get over this, I asked a few of my friends to give me ideas that I could do and this is how I got what I did this week.

IMG_20120523_111147
IMG_20120523_111147
black-face bird
black-face bird
IMG_20120523_111248
IMG_20120523_111248
prom
prom
mask
mask
​Week 6 Landscape

    I was a little nervous about doing landscape at first but then I just decided to o it anyway because I wanted to get better at it. I wasn’t sure what type of landscape I wanted to do so I decided to get some ideas from Google.

            I decided to do two landscape drawings because one of them took a lot of time to do. The first one I drew was one that looked like a grass field with a pond in the middle and mountains in the back. Another drawing was a ocean with a city in the background while water is splashing onto rocks.

IMG_20120530_113341
IMG_20120530_113341
IMG_20120531_105113
IMG_20120531_105113
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Fourth Quarter Blog post

Posted by Matthew Ferry in Advanced Art - Hull on Wednesday, May 30, 2012 at 8:46 pm

    This quarter I did something unorthodox; I stuck with the with the assigned work and did not opt out to work on my own projects. I decided that this quarter I would do that, as I felt the last few I did not produce as powerful pieces as I could have. Been having to stick to a strict plan of having a new thing a week, I had to stay on top of my work or less I would fall behind (which did happen for a bit.)
    I started this quarter off creating an abstract drawing. I was undecided of what to do, as it had to be more than just an abstract image, it had to convey motion within it. I had many different ideas that I thought of doing, but instead of spending a large amount of time brainstorming, I just let my hand and pencil do the work. I started to draw an outline of a large circle, then began to draw smaller ones within. The idea of creating something black and white popped into my head, but that would be too tuxedo like. I instead started drawing lines that extended outwards from the center of the circles, which started to look a bit like needs coming out. I still did not see any motion within this drawing, but saw abstract thoughts were forming. I topped off my sketch by drawing lightening around it. When the lightening touched the points coming out of the center of the circle, they would turn the same color as the lines. If they did not, they would remain blue. Next I took this to black paper and used a white pencil to re-illustrate it. This allowed me work out any faults before moving onto my third design, where I added color to it. In this one, I decided to use four colors; blue; green; red; and yellow. I made the different circles in the drawing a pattern of yellow and green, as I think that is an attractive color combination. Next, I made all of the swirls red, and the lightening that touched it. All of the ones that were not red were blue. I really enjoyed this piece, because it allowed me to learn to use phases to create something, instead of jumping right into it and being disappointed with the outcome.
    The next thing I made was an observation drawing of an unclose object. For this, I chose a hole in the wall. I can not give any particular reason why I chose the hole in the wall, other than it was the first thing I saw when handed the assignment. I did this drawing for two hours; I'm not sure why I did it for so long, but I did. I'm happy with the results, but I could have only put an hour into it and have done another drawing. I learned from this drawing to better manage my time to do more within a limited amount.
    After this, I did some make-up work that I did not get around to. I made my abstract emotion drawings. This concept was difficult for me. I associate abstract with something that is indescribable, and I associate emotions that are visually describable. Combining something indescribable and describable was a difficult concept for me to first approach, but after thinking about it, I was able to muster up two drawings. The one I did has an eye in the center with a tear, being watched by many different eyes. This single eye that has a tear running is what all of the other eyes have their attention affixed on. For what reasons? They are indescribable. The only emotion that is describable is the eye with the tear. My second drawing I split between the center. One side depicts more vibrant and lovely things, while the other has things that are mournful and saddening. The only way to understand emotion in the second drawing is by looking at the lips, but without seeing the rest of the face it is difficult to understand what emotion is trying to be expressed, making this indescribable.
    My next two weeks I had to make some alterations. The weather was too poor during those two weeks to go outside, so my drawings were inside the room. I used this time to try and teach myself how to drawing ceilings and floors during this time; more specifically rows of both. I've always struggled with drawing things that are drawn in the drawing far, then come up close. I was able to get the walls in the drawings down well, but the ceilings posed as an issue during my drawings. I ultimately decided to accept it as how I draw ceilings. When I originally drew my ceilings and floors, I did not particularly like them, but I do now. They are me.
    The final drawing I did this quarter was an abstract of a face and a mask. The one inspired the other. For this I wanted to do something that extremely quirky, but interesting. For the face, which was a rough draft to the mask, I designed it in a way where the mouth took up about a third of the face, and there were several rows of teeth. For the eyes, I designed to have one horizontal and the other vertical. I put two eye brows over the eyes and completed it. As I was looking at the drawing as it was finished, I felt more could be done and removed to it. In the rough draft of the second one, I made it so there were only two rows of teeth, as the multiples in the other one were a bit strange. Next. I turned the base into a mask by drawing the dark spots under the lips to the parallel side. I kept the one eye hole on the right hand sign, as I liked it like that, and kept the other one unsymmetrical, but changed the hole to a circle. Both of these ideas have some sort of design surrounding it. The circle has sharp twirls around it, while the sharp eye has a flower on the cheek and an eyebrow above. I'm particularly proud of this piece, as I really enjoyed making it, and I think it came out pretty well.
    I'm glad this quarter I changed my game. I felt that I accomplished more and pushed myself better as an artist to work with things that I was uncomfortable doing. I learned to accepted faults in things that I create, and realize that imperfects are art; in-fact, if something's perfect, it would be a pretty boring piece of work. the imperfections making a piece compelling and unique. That's what I like to think of my work for this quarter; it was unique.
2012-05-30 11.23.54
2012-05-30 11.23.54
2012-05-30 11.24.33
2012-05-30 11.24.33
2012-05-30 11.26.58
2012-05-30 11.26.58
2012-05-30 19.26.46
2012-05-30 19.26.46
2012-05-30 11.20.53
2012-05-30 11.20.53
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Rosie Flite Q4 Post 1

Posted by Rosemary Flite in Advanced Art - Hull on Wednesday, May 23, 2012 at 11:03 am

​In this I have 25 of my favorite photos (all taken by me) and I edited them using photoshop and also Iphoto. I tried to use different effects to make the photo look like something completely different. I also did the crayon melting piece of art where you glue down crayons and put the blow dryer over them to make them melt down. I put a twist to it though by using a dark blue background verus the traditional white canvas. To see any of this look through the slideshow shown below.

In the second slideshow I included my favorite photos from the entire quarter, I edited them to a way that made them look more appealing and they are also all taken by me. I liked doing photography because you get to go out and see the world in a different way, through the eye of the camera.
Art Work
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