I learned more about how to set up the back wall. At first I was unsure of how to set it up but by relying on my artists eye I was able to fix the proportions. I also discovered how to shade my drawing better.

If I did not have the back wall drawn to proportion my whole project would not correspond to the actual shape and layout of the room. The shading made it look less two dimensional.

If I remade my assignment I would make sure to add more details and that the stools and table are to scale. I would also shade more and add texture to the furniture and tiles, in other words make it look realistic.

The first thing I would tell them is that you need to make sure that the vanishing point and back wall (If they are drawing a room) are in the appropriate location. From there place the major components such as windows, tiles, and tables, after this you can move on to details. Remember to connect everything back to the vanishing point.

I mainly just drew what I saw and what looked correct. I did not use any websites, but I did check in with my peers to see if I was headed in a good direction or if everything looked to scale.

One of the most salient things in life to know is that before you can fully understand something you must have equilibrium with all of its perspectives. For how can you truly know what a square is without seeing also the cube? How can you label a story character as a samaritan or a nefarious being without stepping into their shoes? The first stride in venturing into the world of equal empathy is to know that almost everything has infinite perspectives. This is foremost especially in the macrocosm of chaotic madness and rightful order we call art. 
It could be said that you can never reach an infinite number of perspectives in art. That eventually every one of them would be discovered and taught in a classroom or studio. One aspect of looking at that is false. New perspectives are thought of every day even without the slightest of recognition. Therefore in an ultimate loophole of a herculean panorama, where anything is possible, it is quite hard not to say that art perspectives are infinite. Although, mathematically speaking, infiniteness is a line of continuum motion in which the destination or point never comes close to your term. This a very arguable topic and could easily be discussed in class.

​ Speaking of infinities, something that a conclusion can come to without arguments is that you can't learn all of an individual's infinite qualities or separated beings. Which makes me say that I am exposed to new information but also apt to it. During this task I was novelly engaged with one of the infinities of art, one point perspective. It was a promenade that I never traversed before and I was intuitive in knowing how much a vanishing point in a drawing affected thus. I soon discovered that this could turn any number of my weird looking mindsets into reality perspective. The importance of this is that having a quantity of colorful options will only aid you. 
Just as there is infinite amount of perspectives for art, there is an infinite amount of perspectives of one point perspective. The view I chose to take was one of the negative light. In one point perspective, everything is white on black instead of black on white. Javier Peraza thought that he could not fight the compelling feeling to dig deeper in the very meaning of perspective. That is why he wanted to complete the project in that way. Since it is onerous to make out detail in a negative version of one point perspective I blue printed the very heavenly cosmos that Javier's mind creates but in a positive view. If corrected, it would be wise to travel to a different perspective of one point perspective. Of course just for clarity on the infinite macrocosm theory.

​ Often beginers trip and find their own follies. This is needed in life for without mistakes they would never rank up from beginners. An adduce that all beginners should remember though is that you must first learn the rules before breaking them. I personally, Javier Peraza, take the unorthodox path and do whatever I/he/X/Y/ a-Z/1-100/∞ wants. You must know that no one is confining you from doing what you want and you can use your freedom to produce thaumaturgy. As long as you know who you are talking to then you are fine.
A fountain of imagination and creativity, that is indeed itself inarguably an infinite, is my mind and also yours. You should never underestimate the power of the human mind for the whole concept of infinities and time comes from it. They breed to make dimensions and mathematics. It will always be your source for anything and everything for it was my source. Note though that you have OTHER minds just as capable of accomplishing as much as yourself so Javier recommends that you listen to your peers and authorities. 

Something I learned while doing this drawing was how to draw objects without any guide from someone. I learned how to draw something just by looking at the original picture and making an exact replica of it. By learning how to draw objects without a guide but with just a picture of it, I know that I can draw real objects in life without having problem with it. In fact, my skill of drawing a real object will increase now. The resource that helped me the most to draw this was the website’s steps on how to start it and our art teacher’s (Mrs.Hull) advices. She told

     Even though I believe that my skills increased in drawing, my drawing of this room was not perfect. If I had a chance to do this assignment again, I would make the center square with the vanishing point a little bit larger, and put the light that is on the ceiling in the center. My advice to someone who has never drawn a one point drawing is telling them to imagine how that object might look like if you were above, side, or below it and make the drawing. If one imagines it in this type of way, one can know how to make the drawing a little bit more realistic. 

    

1. I learned that taking the time for small and individual details really makes the object you're drawing and the picture look a lot better and realistic.
2. This made my drawing look much more realistic and 3D which really added to it.
3. If I were to do this project again, I would draw the floor tiles after the tables and stools because constantly erasing and redrawing them was a pain and sometimes they threw me off.
4. My advice to drawing in perspective is draw everything all the way back to the vanishing point because it really helps with drawing orthogonals and making your drawing look realistic and accurate.
5. The resource that helped me the most was the online room practice. I really got the hang of it on that and I found it really helpful.